It covers older movies (like Bringing Up Baby) and more recent ones (like Minority Report). But the collection begins with an introduction by its editor, Stephanie Harrison, and the book is divided into eleven thematic sections, and each of these has an introduction.
The introductions are wonderful. While they “introduce” the section and its theme, they also have some intriguing background tidbits of information (such as the way Brian Aldiss and Arthur C. Clarke worked with Stanley Kubrick).
It’s fascinating to see the similarities and, even more interesting, the differences between the stories and the films made from them. For example, in the story on which Hitchcock’s Rear Window was based, there is no Grace Kelly character. (Good grief! No Grace Kelly?)
Also interesting, to me at least, is the story Supertoys Last All Summer Long, written by Brian Aldiss and the basis for A.I.: Artificial Intelligence. It’s a great short story but heavens, was it ever expanded upon for what became the final film (directed by Steven Spielberg).
Also directed by Spielberg is Minority Report, based on Philip K. Dick’s short story The Minority Report. Here, while the differences are interesting, what I find most caught my attention was the pacing. The movie is incredibly fast-paced – just as the story is. In fact, Dick’s tale is almost ludicrously fast-paced. It reads like a condensed hard-boiled detective novel.
And while the story stretches credibility in the quick way things happen, once you start reading it you can’t stop. It grabs you immediately and just goes. (If anything, Spielberg eased the pace a bit and added material to make it a more credible tale.)
Adaptations is over 600 pages long – there’s a lot of material here. I’ve barely started getting into it. But it’s a subject I find fascinating – the different takes artists have on the same story. In this case, the differences between a story in written form and the story on screen. Those differences are a combination between different forms and different artists.
It’s interesting that I began the book on the same day I watched Michael Radford’s movie The Merchant of Venice – a filmmaker’s take on a play (and one by Shakespeare, no less).
There is sometimes a kind of kneejerk, default response to adapted material, especially when its based on popular novels. The response says the movie is a poor version of the original. Yet I always think of Hitchcock’s Rebecca when this pops up – based on Daphne de Maurier’s novel of the same name. I loved the book and I loved the movie. It’s at least one example of a great story leading to a great movie.
As Adaptations shows through short stories, it’s not really a question of one form being "better" than another. Sometimes the written story is better, sometimes the film. It’s a question of how well conceived the initial idea is and how well it’s realized in the particular form being used. And stories are stories are stories. The forms inform one another and feed off one another.
In the meantime, I’ll keep reading these stories (I’ve barely begun). It’s a subject I find absorbing. If you share this fascination, you might want to pick up Adaptations. You’ll learn some interesting things about writers and movies while also getting a great collection of stories.
Tag: Books, Screenwriting, Movies


If you were to read the majority of the reviews of the 2000 film
Not sure why, but I decided to make a list of the Cary Grant movies I had in my file of reviews. I had more than I expected. As it turns out, I had also written them over a period in which I had changed things like layout. So there was a fair amount of inconsistency between some of them.
I've been worried lately that I've been sounding like a shill for movies because I've come across so many that I've liked. And I've been posting about them. And, the truth is, I would rather talk about movies I like than movies I don't like.







I watched 



What a wretched piece of crap!
I’ve been holding off on seeing M. Night Shyamalan’s 


Finally on DVD, Lt. Columbo! I picked up
I'm not so much alarmed by the fact it is snowing as I am that a Michael Bolton song is playing through the stereo and I'm almost liking it. Strange times indeed!

Yes, I picked up the Star Wars Trilogy on DVD and so the week was spent with Luke, Darth Vader and the gang.
The stars came out recently as Gonzo, the commoner cat, did the red carpet thing on her way to receive her award as most interesting pet.
And the winner is ... Gonzo! Most interesting pet on the floor where I work.


For someone of my limited travelling inclination and experience, I certainly covered a heck of a lot of ground in the last week.
We drove from Edmonton west to the mountains to get there. On the way back, we went south by Creston, nudged the Idaho border, up to Cranbrook, over to Fernie where we camped, then on to the Crowsnest Pass and finally to Fort Macleod where I got off and took the bus back to Edmonton.




It just may be the magnificence of The Burble, as well as 

I was thinking last night about this hernia operation. In the world of medical procedures, it's not a huge thing but, when you have a dislike for anything like this, as I do, it's big enough.